If We Get In Trouble It's My Granddaughter's Fault Because I Listened To Her Shirt, hoodie

 By this shirt here: If We Get In Trouble It’s My Granddaughter’s Fault Because I Listened To Her Shirt, hoodie

The pandemic, and all the requisite sheltering-in-place that has accompanied it, has apparently driven up sales of a motley array of items: beans, puzzles, yeast, face masks, stationary bikes, inflatable pools in the If We Get In Trouble It’s My Granddaughter’s Fault Because I Listened To Her Shirt, hoodie months, and, as it gets colder, outdoor space heaters. But the looming threat of an airborne virus coupled with all the time spent at home has also made many of us acutely aware of what we’re breathing in as we’re doing all that baking and puzzling—and keenly interested in figuring out means of making it better. Not to mention that many of the activities that we do from the comfort of our homes, like, say, that aforementioned baking with a gas stove, can actually be the source of some of the issues with the air.

While her designs are spontaneous and done in collaboration with customers, Porter says the creations are also very much influenced by her filmmaking. (She describes her films as “nonverbal visuals.”) “I think very much from a cinematographic perspective—my placement in relation to an object, from an aerial view or from below—so a lot of the If We Get In Trouble It’s My Granddaughter’s Fault Because I Listened To Her Shirt, hoodie on my tops replicate that kind of point of view,” she says. Even the hangers she shows her pieces on have artistic purpose; they’re shaped in the form of sycamore seeds, of which she says, “Just like how trees release sycamore seeds, I’m releasing these garments out into the world.” Porter says fusing art and fashion has proven to be a new experience for her altogether—but given her current amount of star-studded fans, it’s clearly working. She likes how tangible and personal the process of creating fashion is. “It just made sense to me to put ideas or imagery onto something that could be bought instantly,” she says. “[Art] doesn’t need to exist in a gallery space.”