Dabbing Unicorn St Patrick’s Day kiss me I’m gay or Irish or drunk of whatever vintage shirt

 By this shirt here: Dabbing Unicorn St Patrick’s Day kiss me I’m gay or Irish or drunk of whatever vintage shirt

Recently, the Dabbing Unicorn St Patrick’s Day kiss me I’m gay or Irish or drunk of whatever vintage shirt in contrast I will get this rapper, who is known for his cheeky, often surreal infusion of post-Soviet aesthetic in his music and style, has also had a collaboration with Adidas. In the campaign, he wears a tracksuit (an Eastern bloc favorite) that he sports with a phallic pair of Adidas Superstar sneakers that are more than three feet long and have 40 rows of eyelets. Cash himself has a striking, often perverse personal style. The rapper, who boasts a pin-straight brown haircut and an impeccably manicured, pencil-thin mustache, has worn a digitally altered, hot pink minidress made to look like a Croc and a floral-print suit that matches the wallpaper behind him.

Dabbing Unicorn St Patrick’s Day kiss me I’m gay or Irish or drunk of whatever vintage shirt, hoodie, tank top, sweater and long sleeve t-shirt

One of the Dabbing Unicorn St Patrick’s Day kiss me I’m gay or Irish or drunk of whatever vintage shirt in contrast I will get this more charmingly useless pieces in his collaboration with the house is a parcel of vacuum-packed ramen with the Tommy Cash x Maison Margiela logo stamped on it. (In addition to calories and nutritional information, the back of the package has the following: “NB! This is a collectible item. This product/accessory is not for consumption. Eat only at your own risk.”) Cash notes that this is a layered offering. “It is every student’s food. In Eastern Europe, everyone eats it when they’re in a broke spot,” he says. “Margiela ramen is something I’ve never seen. You could never have the cheapest thing in the world but it’s designer.” Cash has also released a track titled “Mute” that is three-and-a-half minutes of pure silence, which he compares to Kazimir Malevich’s Black Square. For the track’s cover, Cash spoofed a photograph of Naomi Campbell, Cindy Crawford, Stephanie Seymour, and Tatjana Patitz photographed by Peter Lindbergh in the ’90s. Instead, it shows Cash snuggled up with his fellow Estonians.