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 The initiative is part of Chanel’s new climate strategy, Mission 1.5°C, which lays out a plan for reducing the brand’s carbon emissions across its entire value chain and to “accelerate the transition to a more sustainable world.” For the emissions it can’t reduce—an inevitability when you’re creating new products—Chanel has pledged to invest in nature-based solutions, like forest and mangrove restoration, which aid in carbon sequestration. As a colleague pointed out, perhaps Chanel’s next move will be to integrate all of this into a campaign or show; instead of the mansard roofs of spring 2020, for instance, we’ll see models walking along California rooftops lined with solar panels. A girl can dream!

Photography Never Lose Focus Vintage Retro Shirt

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Pshaw! When Tree got out there she made it look as easy as ever. Wearing a black suit over rattan slides with a Chaos lighter (courtesy of stylist Charlotte Stockdale) holder swinging jauntily at her hip, her bangs still framing the face that entranced fashion’s original generation, she killed it. Now in her eighth generation, Tree is making a tentative return to the work. She has been doing a few shoots with Tim Walker, she said, adding that today marked her first foray into the live fray and also that, tantalisingly, she has just finished writing “my book.” That will be a rich source of excellent stories. As to how shows compare against when she was a regular, Tree offered: “Well, this is bigger than Ben-Hur. When I was doing shows everyone was crammed into a tiny room and there was a lot of anxiety, but this is so beautifully organized and calm. I was quite nervous coming here from London, but it turns out I know a lot of people and that has made it much easier. All this is extraordinary, really.” As is she: Hail to Penelope Tree.