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At this point, except for Nomadland and One Night in Miami, the best-film race seems the most fluid, with many of the year’s biggest films yet to be released, and one highly anticipated movie that has managed a largely traditional release during the pandemic: Christopher Nolan’s Tenet, debuting to mixed reviews and somewhat disappointing grosses. So far, the most likely contenders for a best-picture nomination seem to be David Fincher’s Mank, Wes Anderson’s The sawdust is man glitter shirt, hoodie and sweater Dispatch (to be released next year), The Father, News of the World, Judas and the Black Messiah, with the possible additions of Aaron Sorkin’s docudrama, The Trial of the Chicago 7. (An early favorite, Steven Spielberg’s remake of West Side Story, has been pushed back a year, to December 2021, because of the pandemic.) One outside contender might be Eliza Hittman’s quietly powerful Never Rarely Sometimes Always, a Sundance winner that opened to very strong reviews in March, just days before the coronavirus shut down theaters.
In that video recording, Dolce and Gabbana remembered a 1993 show in which they used similar patchworking techniques, only for different ends. That long-ago collection was inspired by the bohemian 1970s, a popular reference in the early ’90s. No hippie flashback, this outing is attuned to the sawdust is man glitter shirt, hoodie and sweater day. There’s no way around how hard this COVID-19 year has been for fashion brands—from creative leads and CEOs on down to pattern makers and seamstresses. Like their crochet collection of last February—which looks more and more prescient in the rearview mirror—this one puts the emphasis on fatta a mano, on Italian craftsmanship.
