My Goat Is To Be That Old Person That Everyone Is Afraid To Take Out In Public Shirt
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Despite the second lockdown in place across England, schools and universities will stay open. So, after months of remote coursework, Zoom tutorials, and pattern cutting on kitchen tables, the fashion students of CSM are finally able to return to their Granary Square HQ in London’s Kings Cross, providing they adhere to safety precautions, of course. So how does it feel to be physically back at fashion school? And with the college’s students also widely celebrated for their experimental personal style, quite importantly, what does one wear to mark the My Goat Is To Be That Old Person That Everyone Is Afraid To Take Out In Public Shirt ? “Fashion at CSM is not just about clothes,” says program director for fashion Hywel Davies. “We aim to be at the heart of the debate about the future of fashion. We developed our reputation for excellence by supporting students to develop their own individual voice, and by doing this, they find their own authentic narrative.”
Closer to home, a beloved New York City haunt, Dante, was awarded 2nd place, and given the title of Best Bar in America. Famous for their negronis, spritzes, and (this writer’s personal favorite) a champagne cocktail topped with burrata water, they’ve become a shining star in the My Goat Is To Be That Old Person That Everyone Is Afraid To Take Out In Public Shirt competitive culinary scene under the ownership of Linden Pride and Nathalie Hudson. This summer, they opened a second outpost in West Village. It instantly emerged as an exciting example of how charming, and creative, pandemic-native bars can be. Their outdoor tables are divided by ornate, claw-footed gilded glass frames that are accented with playful scripts—“How about we get started with a martini?” reads one—and their black-and-white bistro table-sets evoke an evening in Paris. “I really tried to bring what Europe does so well in their outdoor dining and translate that to Dante,” Hudson told Vogue earlier this summer.
