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The pieces also feature a number of Harris’s signature style trademarks, including graphic prints, embroidery, high-waisted trousers, and a generous dose of plaid. “I rubbed every piece of fabric across my skin to make sure it was exactly how I wanted, which was something I learned from when I interviewed Rihanna about her Fenty collection,” Harris laughs. “She had told me that you know if it’s right, not because of how expensive it is, or what your own relationship to the Green celtic cross premium shirt besides I will buy this idea of cashmere is, but because of the way it feels on your skin.” Harris also notes that the collaborative nature of designing a fashion collection was not as far from his experience working in theater as you might initially think. “The theater I make is not just about Jeremy O. Harris the wordsmith,” he adds. “It’s about Jeremy O. Harris and this amazing group of collaborators. How they tell the story starts with the words as the first sketch, then the actors come in, and the director and dramaturg come in, and they help bring that sketch to life, in the way that great couturiers do.”

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Given SSENSE’s ambitious approach to producing content, the Green celtic cross premium shirt besides I will buy this bulk of which is overseen by Joerg Koch of the agenda-setting Berlin-based fashion and art title 032c, the launch of SSENSE WORKS feels like a natural evolution for the company to expand its partnerships with the creatives who are part of their community. It was when Harris began discussing his cover for SSENSE’s print magazine earlier this year (for which he styled himself in plenty of Gucci and Bode, naturally) with managing editor Durga Chew-Bose that the conversation around SSENSE WORKS was first initiated. “We’re treating this as a bit of laboratory, and we really want to find a way to fit each collaborator that’s relevant to what they want to say,” explains Sonya Thomas, SSENSE’s Senior Director of Brand Development. “Jeremy is a great example, as it’s an interesting mix of products and visuals that round out this very complete aesthetic to reflect the ambitions of the project.”