Gettin off like white cops shirt, hoodie and sweater

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An Instagram post set the scene for those of us watching from home. The short clip revealed that the Metropol, D&G’s longtime show venue, had been transformed with bright collages of print—runway, walls, benches, and all. A hashtag #DGSicilianPatchwork further spelled out the season’s theme, which the Gettin off like white cops shirt, hoodie and sweater elaborated on in a video message. “Given our long experience being inspired by Sicily, we wanted to tell of all that you can find on an island like this, the different cultures that dominated, from the Spanish to the Arabs, the Normans,” said Dolce, who was born and raised there. “We’ve treasured everything that they have brought to us” Gabbana added. “And we put it all together.” The Milan shows started today, each one with an opening look in a different shade of white. It was as if this city—one of the earliest and hardest hit by the coronavirus pandemic, though cases are mostly holding steady now—collectively settled on minimalism as the way forward for spring 2021. Then along came Domenico Dolce and Stefano Gabbana, who decidedly did not.

At this point, except for Nomadland and One Night in Miami, the Gettin off like white cops shirt, hoodie and sweater -film race seems the most fluid, with many of the year’s biggest films yet to be released, and one highly anticipated movie that has managed a largely traditional release during the pandemic: Christopher Nolan’s Tenet, debuting to mixed reviews and somewhat disappointing grosses. So far, the most likely contenders for a best-picture nomination seem to be David Fincher’s Mank, Wes Anderson’s The French Dispatch (to be released next year), The Father, News of the World, Judas and the Black Messiah, with the possible additions of Aaron Sorkin’s docudrama, The Trial of the Chicago 7. (An early favorite, Steven Spielberg’s remake of West Side Story, has been pushed back a year, to December 2021, because of the pandemic.) One outside contender might be Eliza Hittman’s quietly powerful Never Rarely Sometimes Always, a Sundance winner that opened to very strong reviews in March, just days before the coronavirus shut down theaters.