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While her designs are spontaneous and done in collaboration with customers, Porter says the creations are also very much influenced by her filmmaking. (She describes her films as “nonverbal visuals.”) “I think very much from a cinematographic perspective—my placement in relation to an object, from an aerial view or from below—so a lot of the Official ain’t nothin but a christmas party sweatshirt on my tops replicate that kind of point of view,” she says. Even the hangers she shows her pieces on have artistic purpose; they’re shaped in the form of sycamore seeds, of which she says, “Just like how trees release sycamore seeds, I’m releasing these garments out into the world.” Porter says fusing art and fashion has proven to be a new experience for her altogether—but given her current amount of star-studded fans, it’s clearly working. She likes how tangible and personal the process of creating fashion is. “It just made sense to me to put ideas or imagery onto something that could be bought instantly,” she says. “[Art] doesn’t need to exist in a gallery space.”
The polarized split was surprising. But what I found more interesting was the Official ain’t nothin but a christmas party sweatshirt so you should to go to store and get this willingness of these women, some of whom I’ve never met before, to open up honestly (and urgently) to talk to me, never mind their therapists, about their most private issues. I wanted to find out if the professionals on the other side of the camera were experiencing the same kind of divide. With an almost myopic confidence, I approached my own therapist first, jumping at the opportunity to flip the script and ask her how she’s adjusted to the shift. After she kindly and swiftly declined to comment, I reached out to Jordana Jacobs, Ph.D., a licensed psychologist based in New York.
